Irene Goodman’s
Critiques for Charity
Once a month, agent Irene Goodman holds auctions for critiques of partial manuscripts.
Proceeds go to the Foundation Fighting Blindness and the Hearing Health Foundation.
Are you ready to hear the truth about your work? Not what your sister or what your Great Aunt Matilda thinks, but an honest, tactful, cohesive opinion from an industry professional with 40 years of experience? As an agent, I can tell you not just how to make it better, but what I think about its salability.
I do charity auctions every month for partial manuscripts, and you could be one of the winning bidders! All proceeds go to either the Foundation Fighting Blindness or the Hearing Health Foundation. We use the Charity Buzz website, and they keep a small percentage for their service, but every penny after that benefits the foundations.
~ The perfect holiday gift for the writer in your life ~
A new auction starts the first Tuesday of each month.
The latest auction runs from November 5-19 2024!
Charity Critique FAQ
What previous winners have to say…
“Your review was nothing less than a life-changer on many levels.” — Mary O.
“Your review far exceeded my expectations.” — Alan Chaput
“What a great review! I have a clear sense of the many opportunities to improve my craft and story.” — Mike S.
“The way you deliver feedback is truly amazing. It was honest, tactful, and insightful. You really packed a lot into your critique. It was an invaluable experience.” — Kourtney Heintz
“This rare peek into the thoughts of an accomplished agent energized my own enthusiasm to make my story even better.” — Gary W.
Irene Goodman has been agenting for over 40 years and has grown the careers of a number of NY Times bestselling authors, including Linda Lael Miller, Sharyn McCrumb, Michael Bornstein and Debbie Bornstein Holinstat, Celeste Bradley, Susan Donovan, Boyd Morrison, and Debbie Macomber. Her agency has two foreign rights agents and a movie agent, representing a wide variety of authors. Her career began as an editorial assistant for a publisher, where she realized she wanted to be an agent when she bypassed the red tape and broke the rules by walking a check request for a desperate author through the company. She then went to work for the agent who represented Stephen King, establishing her own agency two years later. She has keynoted at several major conferences, and has contributed to major publications for writers. She has done over 200 critiques and finds it very gratifying to give back to the business she loves. “Every blockbuster author was once knocking on the door,” she says. “And that can be frustrating. This is one way to speed up that process.”